Petzold's harpsichord music įrom the early 1720s Petzold owned a state-of-the-art harpsichord manufactured by Silbermann. īach likely intended the simple binary dances contained in Anna Magdalena's notebooks, including the Minuets entered without composer indication, as teaching material, likely rather for his younger children than for his wife. These pieces may have been brought back from Dresden by Johann Sebastian when he visited this city in September 1725. Petzold's Minuets in G major and G minor, BWV Anh. 114 and 115, are the next two entries in the notebook (Nos. 4 and 5). No. 3, the first piece after the two seven-movement Partitas, is a Minuet in F major by an unknown composer (likely not Bach), adopted as No. 113 in the second annex ( German: Anhang, Anh.), that is the annex of doubtful compositions, in the Bach-Werke-Verzeichnis (BWV). Nos. 3 to 11 in the notebook are keyboard pieces written down by Anna Magdalena, likely shortly after she was given the volume. Anna Magdalena Bach likely received the notebook from her husband in the autumn of 1725, as a present for either her birthday (22 September) or their wedding anniversary (3 December). It opened with two harpsichord suites, that is, the Partitas BWV 827 and 830, composed and written down by Johann Sebastian Bach. The second Notebook for Anna Magdalena Bach was started in 1725. Petzold died in 1733: as organist of the Sophienkirche he was succeeded by Bach's son Wilhelm Friedemann. Bach gave a concert on that organ when he visited Dresden in September 1725. In 1720, Petzold composed the music for the inauguration of the new Silbermann organ of the Sophienkirche. By the time Johann Sebastian Bach started to visit Dresden, Petzold was well acquainted with several of the city's musicians, including the violinist Johann Georg Pisendel, with whom Bach was also acquainted. In the late 17th century Christian Petzold became organist at the Sophienkirche ( lit. 1.1 In the Notebook for Anna Magdalena Bach.The copyright holder of this work allows anyone to use it for any purpose including unrestricted redistribution, commercial use, and modification. Peter Johnsto grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. In some countries this may not be legally possible if so: This work has been released into the public domain by its author, Peter Johnsto. PDM Creative Commons Public Domain Mark 1.0 false false #MINUET IN G BEETHOVEN FREE#This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. #MINUET IN G BEETHOVEN PLUS#This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. If you have questions about the archived correspondence, please use the VRT noticeboard. The correspondence is available to trusted volunteers as ticket #2008012110017088. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page. This work is free and may be used by anyone for any purpose.
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